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Home  FEATURES Lucas Soi Interview
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Written by Niall Hamill
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Tuesday, 05 October 2010 12:03
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LUCAS SOI IN CONVERSATION WITH NIALL HAMILL -
FALL 2010
*Vancouver based Lucas Soi opens Cradle Stories at The Shooting Gallery in SF on Saturday, Oct 9th. Niall spoke with Lucas and touched on his working method, living and working in Vancouver and how the work in Cradle Stories focuses on suburban teenagers and the dark undertones prevalent.
There’s this excerpt from Life After God by Douglas Coupland that comes to mind when I think about Cradle Stories.
Oh yeah?
Coupland grew up on the North Shore, and now lives in the same neighborhood as you in West Vancouver: “It was the life of children of children of the children of the pioneers - life after God - a life of earthly salvation on the edge of heaven.”
Oh cool. Growing up in West Van is crazy. It's great, but you definitely grow up with a warped sense of reality; you're totally ignorant to how other people live. It's this weird combo of beach town and retirement community. The only people you find in West Van are babies, teens, MILFs and old people.
The drawings in Cradle Stories depict events in the lives of privileged suburban teens, often in the safety of their own homes. The images have very dark undertones. Are you commenting on the Millennial Generation’s self-destruction?
I think being young, you're closer to conception than to existence. Meaning you're really closer to death than life. If you're fourteen years old, surrounded by your parents who are, say, triple you’re age, you're closer to "just being born" than to "everyday life". So destruction, which is a kind of creation in reverse, is closer to your understanding, maybe? When you're growing up you're always looking backwards, comparing what you can do now to what you couldn't do before. There's not a lot of forward thinking, no matter how many adults are helping you navigate the way. So maybe the darkness that you see in these drawings is just the connection all youths have to that unknown place where we come from, and where we go when we die.
We don't see the consequences of their actions in the drawings.
I think as mature viewers we know the general results, which would be dealing with law enforcement, or a parent's discipline. But the drawings aren't told from our point of view: they're from the teenager's. As the artist I'm putting you the viewer in their shoes.
The landscape format you use is similar to that of 19th century French painters. But I see some really distinctive contemporary elements in there.
Totally. I wanted to reflect where we’re at in our culture right now, but show that we've always been here. We haven't changed that much. Ancient myths are really eternal truths, you know? But I love the old school painters. Since I'm self-taught I didn't learn about contemporary art until about three years ago, so my whole concept of pictorial composition and narrative was informed by these old dead white guys. Thinking about this project I looked back through art history for contemporary takes on society in painting. My favorites were guys like Courbet and Manet, who just painted their surroundings without editorializing. They painted regular people doing everyday things: farmers, bartenders and prostitutes took center stage instead of the aristocrats. The panoramic format I stole from Courbet's “Burial at Ornans”; I saw it in person in the Musee d'Orsay in Paris in 2004 and physically experiencing it changed my life. It's a painting the size of a movie screen. So then I thought, our culture is so influenced by Hollywood, and show business is so influenced by books, particularly by graphic novels right now. So the drawings are made out of multiple sheets of paper, symbolizing the pages of a book.
The scene in “Black Mass” is compelling. It looks like something out of the dark ages, aside from a few distinctive objects and the clothing worn by the subjects.
Yeah. I mean, they are performing a ritual that has been practiced for hundreds of years. You know there are no set rules for a black mass? I did all this research and found that each country and time period had their own way of doing it. The constants were human sacrifice and some sort of parody of the Catholic mass. So I came up with my version.
I think your visual style is pretty unique, with you keeping to a monochrome palette and filling the space with millions of tiny dots. Were you consciously referencing any artists in particular?
Other than the composition, not really. The look happened pretty organically on the page.
You're showing Cradle Stories at The Shooting Gallery in San Francisco opening October 9th. The work has been almost two years in the making. Are you ready for a much deserved vacation from the studio?
It's kind of scary to not have something to work on. It's a weird feeling to have nothing, after working on something for so long. But I'm looking forward to just soaking up life and seeing what stands out to focus on next.
You haven't exhibited a lot in Vancouver. The majority of your shows have been in the USA and Europe. Did you have to travel a lot, or know people in the cities you’ve shown in?
Not really. I researched every gallery in the world I thought my work would fit with and emailed them. Always made sure my website was up to date. I’m lucky because drawings are easy to read on the Internet, so the gallery can make a decision pretty quickly if they're into them or not. They’d respond right away and I'd usually send a single piece down for them to see in person, and we’d be in business. Curators can be a big help too. In the beginning Tim Barber helped me get a lot of exposure through tinyvices.com and took my work to London, Paris, Tokyo...
What do you think of the opportunities to show work in Vancouver, or lack thereof...
Well, my goal was always to sell work and I learned pretty quickly that the art economy in Vancouver works very differently. Non-profit artist-run centers dominate the scene and operate with a very academic brand of non-commercial work. I think that stuff is interesting, but for it to be the only game in town is a bummer. Other than doing underground shows you’re left with only three commercial galleries in town that do millions of dollars worth of business annually, which is what I’m going for. To get in there you need a reputation. So since the beginning I’ve focused on showing outside of Vancouver, and that focus has really paid off.
Have you thought about moving to a larger art scene in another city, or do you like the degree of anonymity that comes with living and working out of Vancouver?
Vancouver is my home. I’ve traveled a lot and learned that I don’t really wanna live anywhere else. I like it here, and the people are great.
I find that some aspiring young artists heavily promote their self-indulgent lifestyles, which often overshadow their work. How important is it for you to remain focused on your work?
Back in 2008, when I was trying to find my direction after finishing the Found Alive series, I talked about this with my friend Chloe (R.I.P.). We didn't go out, just stayed home and watched movies, listened to music and worked. She told me that I wasn't missing out on much. Artists are producers who need consumers. The people who party are part of a two-way street, you know? The hipsters, who I feel get a lot of flack unnecessarily, they're a valuable part of the equation. They feed off the people who do all the work, but the workers feed off their encouragement and support. Since I was starting out and trying to make a career, I felt like I had to make a choice: get high or get down to business. Chloe really helped put me at ease about living a quiet life and just working.
What does your daily routine consist of? Your work schedule is very well-structured.
I’ve always worked from home. My drawings are made out of multiple sheets of paper, so size has never been an issue, I can work as big as I want. I work at a flat desk next to a big window. I use the wall beside me to do all the layout and composition stuff. I like to start early in the morning when all the good radio shows are on: Rush Limbaugh at 9am, Q on CBC at 10am. At 2pm Charlie Rose is on TV, I play that in the background; then Oprah at 4pm. I quit around 6pm and go out.
How long do your panoramic drawings take to complete?
On average it's 30 days, working 8 hours a day. But since I don't work every day they take two months each.
What kind of pens do you use?
My distinctive fine line and dots are made with a 0.25mm Rapidograph. I love Koh-I-Noor ink. But I also use the cheapest BIC ballpoint pens, and expensive Montblancs, and brush-tipped Faber-Castell pens. My favorite paper is Strathmore Bristol Vellum; I’ve been working with their 14” x 17” pages.
I think that just about sums up everything I wanted to talk about today. Thanks for your time, Lucas. Before we sign-off, is there anything you would like to add?
Buy art!
SEX SELLS
Edition of 20 + 3 AP
Copper plate etching on archival Rives BFK 300g white acid-free paper
Signed and numbered on reverse
14" x 17"
Printed by New Leaf Editions in Vancouver, B.C.
$200.00 USD
Links
http://www.lucassoi.ca/
http://www.shootinggallerysf.com/
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Although I missed the opening of Northern-California photographer Michael Garlington's newest show, Constructed Realities, I was fortunate enough to see the work still up during the Metaphysical fundraiser a couple weeks back at 111 Minna. Metaphysical fundraiser, an auction to benefit Wayne Ernzer. --- The ghoulish photographs in their heavy, hand-made frames are reminiscent of photos from the old west, and the glass crucifixes, complete with fetuses and guns, emphasize the accumulated time within the works themselves. Whether you're looking at the frames, the photos, or both, this show deserves a visit, and a walk through the golden archway Garlington constructed around the front door.
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Fecal Face contributor Rachel Ralph (rachel(at)fecalface.com) has been profiling this Oakland based painter as he travels about Japan. In this segment, we feature some photos as he prepared for this show and residency at Spes-LaB in Tokyo which opened last weekend. Arnold will be featured in SFMoMA's Minna Street windows on June 8th.
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Last Saturday, here in SF's Mission district, Guerrero Gallery opened two new shows with Philly based Alex Lukas and SF based Richard Colman respectively. Colman's work occupied the project space while Lukas' work and foliage was presented in the main space. Worth getting to if you haven't already.
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Just got back to SF after a little trip south to Sayulita, Mexico. After 10 years without a vacation, me and the Mrs. headed south for some mental time off sitting in the sun, swimming and enjoying the watery Mexican beer. Here are some photos as we get back into the swing of things again.
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ARYZ (Spain) opened his newest gallery show at Fifty24SF last Friday and, if you live in the Bay Area, you need to go. This dude can obviously paint, and he doesn't need an entire building to show his impecable skill. The show has lots of small works on paper which contrast his highly-defined line work to his hard-edged painted objects. The contrast between the hard and soft was the most striking thing to me about his work, since I had never seen it in person before, and the washes blend with the thick paint seamlessly. The show also contains a larger work on canvas, a huge head suspended in the back of the room, and a big wood sculpture of a wolf figure. This diversity in such a small space was impressive, and those of us that went to the opening even got to meet the man in person. If you didn't make it out this weekend, check it out before May 31st when it closes and these works will be off to some very happy new homes.
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Water McBeer is please to announce its latest exhibition "Precious" a solo exhibition by David Bayus (April 6 - May 4, 2013) -- David Bayus born 1982 holds his BFA from the Savannah College of Art and his MFA from the San Francisco Art Institute. David lives and works in San Francisco and is a founding member of the basement collective. This will be his first exhibition with the world renown Water McBeer Gallery highlighting his most recent achievements with paint and digital media. David Bayus will be exhibiting 5 relatively large-scale mixed media works along with a collaborative object featuring Hungarian sculptor H.R KOONS.
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| Hard Time Mini Mall @The Shooting Gallery
The Shooting Gallery handed over the reins to the Red Truck Gallery (a New Orleans based gallery) which curated their new show, Hard Time Mini Mall and opened the it on Saturday night. This is my favorite show (so far) in the Shooting Gallery's new space and was packed full of art, a mini bar, and cowhide rugs. The Red Truck Gallery chose works with clear craftsmanship and it was easy to see in Ian Berry's denim assemblages and Chris Roberts-Antieau's awesome quilts. The space was completely packed, making it hard to see each piece individually, but this show deserves a second trip anyway. I look forward to spending more time with the chandeliers, automatons, and paintings before the show comes down on May 4th.
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Toronto based photographer Nathan Cyprys emailed to let us know about his newest series "Neighbour State", and we were about to post it when we spotted this series on his site entitled "Ayre (of Distances)" and had to post this one instead. After you view this one, view "Neighbour State" on his site. Both are visually enjoyable.
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| Recent Works by David Lyle
Working from found photographs, Lyle's paintings are created through a reductive painting process where each piece is rendered using only black paint and turpentine. Lyle begins this process by priming a panel with white gesso. He then paints a thin, rich, oily black veneer over the primed panel, slowly and systematically developing his images by removing some of the black paint with a cloth. In doing so, Lyle renders layer upon layer of various values of black paint resulting in his signature-style of luminescent works.
 |
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| +London - David Shillinglaw Mural
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| In The Streets of Copenhagen (Part 2)
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| Just The Two of Us at Adobe Books
San Francisco based artists Raphael Villet and Sean Vranizan are currently showing Just the Two of Us at Adobe Books through April 21. Here are some photos from the opening and works.
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| Skewville & Mark Warren Jacques @White Walls (SF)
Two twin brothers from Brooklyn, Skewville brought the fun to their opening at White Walls last Saturday night with their new show, Amusement. After all, you can't take a show that starts with a sign reading "Sucks either Way" too seriously. Besides the simplistic yet detailed paintings, visitors got to ride on a bike-powered merry-go-round and throw bean bags at bottles like a carnival game. Even the works made of found materials, like the Battleship boombox and the suitcase made of tin lunch pails, brought a sense of humor to the night. After seeing the work in the back of the gallery, which was much more crowded, Skewville provided a light-hearted atmosphere in which viewers could drink beer, play games, and see some really great artworks.
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| The Yok & Sheryo
Brooklyn based artists Sheryo and The Yok recentely completed the mural "Pipe Dreams" in Long Island City at 5 pointz. The Yok also emailed over some photos fom a recent trip to Mexico for the Festival Anonymous held near Puerto Vallarta, Mexico from this past January... Awesome, we're heading to Mexico in a couple weeks.
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| Skewville & Mark Warren Jacques @White Walls Saturday
Skewville's new show opens Saturday, April 13th, at White Walls with Mark Warren Jacques showing in the White Walls Project Space.
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| Julie B. of Pretty in Plastic
In the ever-expanding genres of vinyl and resin based sculptural art, there are often players behind the scenes making some of the most impressive pieces come together. Whether you hang out at ComicCon or Art Basel Miami, you've seen sculptural works that PIP (Pretty in Plastic) literally had a hand (or several) in fabricating. Here, Fecal Face interviews PIP founder, owner and fabrication mastermind Julie B., to find out more about how their work all plays out.
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| Darth Across America
I live in SF. I drove across the US last summer in a 30 ft. RV from SF to Brooklyn and did portrait series called Darth Across America, every day people in every day situations, wearing a Darth Vader mask. I raised $2600 through Kickstarter along the way, that paid for gas and beer. I was travelling with 2 other photographers who also did a series of portraits. Mine drew the most attention. It was an experiment in a way, to see if I could use a pop culture icon to unite people that had nothing in common. I was right. I created a community of people across the United States that continue to follow my project, which is soon to be a book. -Julie Schuchard
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| In The Streets of Copenhagen
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SFAI's MFA Show "Currency" Opening Friday
Thursday, 16 May 2013 09:00
Wowzas, there's a lot of art happenings this weekend, and while you're making the rounds, be sure to stop at SFAI's MFA show Currency opening Friday, May 17th at the beautiful old SF Mint Building (88 5th Street).
SFAI's 2013 MFA graduates—working in painting, photography, printmaking, film, sculpture, installation, digital media, performance, and across media—will present work that embraces the Institute's signature spirit of experimentation and conceptual risk-taking.
Opening reception: Friday, May 17, 7–9 pm & running through Sunday 11-6pm daily. -- complete details
Pedro Matos Friday in Los Angeles
Wednesday, 15 May 2013 11:52
London based Pedro Matos opens the solo show Building Castles Made of Sand this Friday in Los Angeles at the Martha Otero Gallery featuring a new series of oil paintings on canvas and azulejo panels - a traditional Portuguese medium of hand-painted, tin-glazed, ceramic tile work.
view a little taste
Pedro Matos Friday in LA
//////////
Wednesday, 16 June 2010 17:39
CCA's MFA Show Thursday
Tuesday, 14 May 2013 17:14
San Francisco -- CCA opens their 2013 MFA Thesis Exhibition this Thursday, May 16th at their SF campus. Every year another graduating class produces steller work. One of the best SF art events worth getting to, but be sure to get there early as there's always a long line. ~details
CCA opens their MFA show Thursday, May 16th
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Wednesday, 25 April 2012 11:56
Skull & Sword at FFDG
Friday, 03 May 2013 11:37
FFDG will open a group show with the artists from the famed Skull & Sword Tattoo on Friday, May 17th (7-10pm). Artists: Grime, Henry Lewis, Yutaro, and Lango. ~RSVP on Facebook
Um, I'll Have The...
Thursday, 02 May 2013 09:00
I Used to do This Once...
Wednesday, 01 May 2013 09:08
Needles & Pens Celebrates 10 Years!
Tuesday, 30 April 2013 13:51
Our buddies at Needles & Pens celebrate their 10th anniversary on Friday, May 10th, and it's not to be missed with this steller lineup - all going down at The Luggage Store.
Check the details, mark it in the calendar, and we'll be seeing you there!
Needles & Pens celebrates 10 years!
"The Jangs" at Stephen Wirtz Thursday
Monday, 29 April 2013 11:07
San Francisco based photographer, Michael Jang, who's been shooting for decades and who has captured some great shots over the years (Reagan and Frank Sinatra is a good one) turned his camera on his family while growing up in the suburbs in the 70s. An intimate portrait of a Chinese-American family inside their Pacifica home living their lives. Sounds benign, which it is, but what also makes the images fascinating.
The Jangs - Opening reception, Thursday, May 2, (5:30-7:30pm) Stephen Wirtz
"The Jangs" photography by Michael Jang opening Thursday
|
Surrounded -as of 4pm
| Michael Garlington & The Metaphysical Fundraiser at 111 Minna
Although I missed the opening of Northern-California photographer Michael Garlington's newest show, Constructed Realities, I was fortunate enough to see the work still up during the Metaphysical fundraiser a couple weeks back at 111 Minna. Metaphysical fundraiser, an auction to benefit Wayne Ernzer. --- The ghoulish photographs in their heavy, hand-made frames are reminiscent of photos from the old west, and the glass crucifixes, complete with fetuses and guns, emphasize the accumulated time within the works themselves. Whether you're looking at the frames, the photos, or both, this show deserves a visit, and a walk through the golden archway Garlington constructed around the front door.
|
|
| John Felix Arnold III in Japan (Part 3)
Fecal Face contributor Rachel Ralph (rachel(at)fecalface.com) has been profiling this Oakland based painter as he travels about Japan. In this segment, we feature some photos as he prepared for this show and residency at Spes-LaB in Tokyo which opened last weekend. Arnold will be featured in SFMoMA's Minna Street windows on June 8th.
|
|
| Alex Lukas & Richard Colman @Guerrero Gallery
Last Saturday, here in SF's Mission district, Guerrero Gallery opened two new shows with Philly based Alex Lukas and SF based Richard Colman respectively. Colman's work occupied the project space while Lukas' work and foliage was presented in the main space. Worth getting to if you haven't already.
|
|
| High 5s: Mexico-Land
Just got back to SF after a little trip south to Sayulita, Mexico. After 10 years without a vacation, me and the Mrs. headed south for some mental time off sitting in the sun, swimming and enjoying the watery Mexican beer. Here are some photos as we get back into the swing of things again.
|
|
| High 5s: Puttin' The Pee in the Pod
For 13 years I've been blogging up randomness. Here's more of it.
|
|
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Athens, Greece based designer, architect and artist Dimitris Polychroniadis emailed over more of his work which consists of mixed media, pop-humorous diorama sculptures that make a comment on the harsh realities my country and much of the world is facing at the moment.
|
|
| Skull & Sword at FFDG Featuring: Grime, Henry Lewis, Yutaro, and Lango
FFDG will open a group show with the artists from the famed Skull & Sword Tattoo on Friday, May 17th (6-9pm). Artists: Grime, Henry Lewis, Yutaro, and Lango. Below are a series of videos on Grime for Vice's Tattoo Age produced in 2011. Fascinating look at one of the greatest tattoo artists alive today.
|
|
| ARYZ at Fifty24SF
ARYZ (Spain) opened his newest gallery show at Fifty24SF last Friday and, if you live in the Bay Area, you need to go. This dude can obviously paint, and he doesn't need an entire building to show his impecable skill. The show has lots of small works on paper which contrast his highly-defined line work to his hard-edged painted objects. The contrast between the hard and soft was the most striking thing to me about his work, since I had never seen it in person before, and the washes blend with the thick paint seamlessly. The show also contains a larger work on canvas, a huge head suspended in the back of the room, and a big wood sculpture of a wolf figure. This diversity in such a small space was impressive, and those of us that went to the opening even got to meet the man in person. If you didn't make it out this weekend, check it out before May 31st when it closes and these works will be off to some very happy new homes.
|
|
| David Bayus @Water McBeer
Water McBeer is please to announce its latest exhibition "Precious" a solo exhibition by David Bayus (April 6 - May 4, 2013) -- David Bayus born 1982 holds his BFA from the Savannah College of Art and his MFA from the San Francisco Art Institute. David lives and works in San Francisco and is a founding member of the basement collective. This will be his first exhibition with the world renown Water McBeer Gallery highlighting his most recent achievements with paint and digital media. David Bayus will be exhibiting 5 relatively large-scale mixed media works along with a collaborative object featuring Hungarian sculptor H.R KOONS.
|
|
| Hard Time Mini Mall @The Shooting Gallery
The Shooting Gallery handed over the reins to the Red Truck Gallery (a New Orleans based gallery) which curated their new show, Hard Time Mini Mall and opened the it on Saturday night. This is my favorite show (so far) in the Shooting Gallery's new space and was packed full of art, a mini bar, and cowhide rugs. The Red Truck Gallery chose works with clear craftsmanship and it was easy to see in Ian Berry's denim assemblages and Chris Roberts-Antieau's awesome quilts. The space was completely packed, making it hard to see each piece individually, but this show deserves a second trip anyway. I look forward to spending more time with the chandeliers, automatons, and paintings before the show comes down on May 4th.
|
|
| "Ayre (of Distances)" by Nathan Cyprys +Toronto
Toronto based photographer Nathan Cyprys emailed to let us know about his newest series "Neighbour State", and we were about to post it when we spotted this series on his site entitled "Ayre (of Distances)" and had to post this one instead. After you view this one, view "Neighbour State" on his site. Both are visually enjoyable.
|
|
| Alex Ziv & Mario Ayala at FFDG +Opening Pics
Photos from the opening of Going Nowhere featuring works by San Francisco based artists Alex Ziv & Mario Ayala which runs through May 4th at FFDG.
|
|
| Recent Works by David Lyle
Working from found photographs, Lyle's paintings are created through a reductive painting process where each piece is rendered using only black paint and turpentine. Lyle begins this process by priming a panel with white gesso. He then paints a thin, rich, oily black veneer over the primed panel, slowly and systematically developing his images by removing some of the black paint with a cloth. In doing so, Lyle renders layer upon layer of various values of black paint resulting in his signature-style of luminescent works.
|
|
| +London - David Shillinglaw Mural
London based David Shillinglaw who's blogged it up for Fecal Face in the past recently completed this mural in London as he prepares for his solo show at Stolen Space opening on April 26th.
|
|
| In The Streets of Copenhagen (Part 2)
Our buddy Henrik Haven, who brings us some goodies from his native Copenhagen, has been shooting some of his city's graffiti and street art. Last week we brought you part one of his camera's explorations.
|
|
| Just The Two of Us at Adobe Books
San Francisco based artists Raphael Villet and Sean Vranizan are currently showing Just the Two of Us at Adobe Books through April 21. Here are some photos from the opening and works.
|
|
| Skewville & Mark Warren Jacques @White Walls (SF)
Two twin brothers from Brooklyn, Skewville brought the fun to their opening at White Walls last Saturday night with their new show, Amusement. After all, you can't take a show that starts with a sign reading "Sucks either Way" too seriously. Besides the simplistic yet detailed paintings, visitors got to ride on a bike-powered merry-go-round and throw bean bags at bottles like a carnival game. Even the works made of found materials, like the Battleship boombox and the suitcase made of tin lunch pails, brought a sense of humor to the night. After seeing the work in the back of the gallery, which was much more crowded, Skewville provided a light-hearted atmosphere in which viewers could drink beer, play games, and see some really great artworks.
|
|
| The Yok & Sheryo
Brooklyn based artists Sheryo and The Yok recentely completed the mural "Pipe Dreams" in Long Island City at 5 pointz. The Yok also emailed over some photos fom a recent trip to Mexico for the Festival Anonymous held near Puerto Vallarta, Mexico from this past January... Awesome, we're heading to Mexico in a couple weeks.
|
|
| Skewville & Mark Warren Jacques @White Walls Saturday
Skewville's new show opens Saturday, April 13th, at White Walls with Mark Warren Jacques showing in the White Walls Project Space.
|
|
| Julie B. of Pretty in Plastic
In the ever-expanding genres of vinyl and resin based sculptural art, there are often players behind the scenes making some of the most impressive pieces come together. Whether you hang out at ComicCon or Art Basel Miami, you've seen sculptural works that PIP (Pretty in Plastic) literally had a hand (or several) in fabricating. Here, Fecal Face interviews PIP founder, owner and fabrication mastermind Julie B., to find out more about how their work all plays out.
|
|
| Darth Across America
I live in SF. I drove across the US last summer in a 30 ft. RV from SF to Brooklyn and did portrait series called Darth Across America, every day people in every day situations, wearing a Darth Vader mask. I raised $2600 through Kickstarter along the way, that paid for gas and beer. I was travelling with 2 other photographers who also did a series of portraits. Mine drew the most attention. It was an experiment in a way, to see if I could use a pop culture icon to unite people that had nothing in common. I was right. I created a community of people across the United States that continue to follow my project, which is soon to be a book. -Julie Schuchard
|
|
| In The Streets of Copenhagen
Our buddy Henrik Haven, who brings us some goodies from his native Copenhagen, has been shooting some of his city's graffiti and street art. Much to offer, we've broken the posts into 3 and will be posting more in the coming days.
|
|
| Nicolas "Od" Le Borgne @Spacejunk (Lyon, France)
Our friend Nicolas Le Borgne, who's shown with us for The Diamond Sea, emailed over some pics from his current show at Spacejunk Art Centers in Lyon, France. Incredible watercolor, pen & ink or acrylic works from this talented 28 year old Frenchman.
|
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 |
